shampoo suicide: the return

No matter how much try, analog photography will always have it’s expenses. Firstly I tried to buy a cheap flatbed scanner to at least get away from the cost of lab-developing AND printing. Then I started proceedings of developing black&whites in my flat. Now I reached the point where I can’t stand the flatbed scanner no more and I need a decent negative scanner (where the hell can I find a coolscan V?). Till then I’ll be sending the rolls to a local lab just for scanning. I tried this with some frames and I’m pretty happy with the results. That’s why I’ll repost some of these just for the heck of it. The scanning difference is really visible. Again, leica M7, tri-x 400@400, nokton 35mm/f1.4.

marianna versus facial expressions, patras-greece

again holding a henri cartier-bresson book. again.

the josef koudelka expo shot. again.

george as taxi driver. this is one looks so much better now.

this one too.

new stuff. vasilis and theo inside prague’s underground. nice.

(ps. screw you 4400F)

two more days in milano.

Since I really have nothing better to do, here are some frames from the summer milano thing. Don’t know why I never uploaded them. Leica M7, tri-x, nokton 35/1.4 blah blah. This time scanned properly for a change.

glamorous stuff.

benchshots.

father, marino and his sister or whatever. My life is so exciting that I hang up with 50-year olds.

Boring.

towards ubiquity

Don’t know if you know about it, nor how it turned out (yet) but I at least I did my part for Charlotte Gonzalez’ ubiquity project. My shot turned nothing special but I guess this project is not about the photographs as isolated units. Canon 5D and 35/2.

miriam.

streetshots while waiting the tram.

the actual ubiquity photograph.

post kuriakatikis varemaras

I really should be studying now but I don’t. So since there’s really nothing more interesting to do I’ll upload some more mediocre portraits from the latest rolls. The first frame is shot on 400tx and the second on fuji sensia 200 and then developed in c-41. badly. Both taken with leica M7 with cv nokton 35/1.4.

boring, I know.